1/29/2024 0 Comments Eagles lyin' eyes“The only two people in this group who tend to think alike are Glenn and me,” said Henley, “and we’ve always wanted every song to be the best that it could be.” While chronicling fame’s dark side can be a tired trope, Henley and Frey proved they were keen observers of life in the fast lane. Sharing a Beverly Hills home together, the two wrote classic after classic: The sleazy dance-floor stomper “One of These Nights,” and “Take It to the Limit,” an anthem about the downsides of life on the road, co-written with Randy Meisner. Released in 1975, One of These Nights was the Eagles most “painless” album, according to Frey, whose songwriting partnership with Don Henley was hitting new peaks. The moment was, of course, the genesis of the Eagles’ “Lyin’ Eyes,” which Bob Buziak, the former president of RCA Records, called “among the best LA rock ’n’ roll songs ever written.” “Look at those lyin’ eyes,” Frey said, before immediately picking up a pen. At their favorite restaurant next to the Los Angeles club the Troubadour, Frey noticed an attractive blonde woman out to dinner with a much older man. The members of the Eagles were struggling to write strong material for the band’s fourth album when, one night in the mid-1970s, guitarist Glenn Frey went out to dinner with a friend, the songwriter J.D. In the sweeping yet cynical piano ballad “The Last Resort,” Henley is already bracing for the moment when the party has to end-not just for a band that would split within four years, but for the very notion of American capitalism itself. But Hotel California is both a portrait of ’70s excess from behind the velvet rope and the soundtrack to the inevitably cruel comedown. That swagger spills over into the brontosaurus stomp of “Victim of Love” (the closest this band ever got to heavy metal) and the disco-fied “Life in the Fast Lane,” an account of Hollywood hedonism as alluringly decadent as a penthouse masquerade ball with an open bar. Formerly the frontman of dirty-boogie outfit the James Gang and an eccentric, hard-rockin’ solo artist in his own right, Walsh immediately puts his stamp on the band with the opening “Hotel California,” where he and six-string wingman Don Felder added the exclamation point to Don Henley’s eerie, enigmatic narrative with one of the most dramatic, finger-aching guitar solos in the rock canon. That shift can be largely attributed to the new kid in town: Joe Walsh, who replaced outgoing founding guitarist Bernie Leadon. That honor, of course, goes to the title track of their 1976 smash Hotel California, the record where the Eagles expunged any lingering trace of their country-rock roots and took up residence in the football stadiums of the world. But here’s the crazy thing: The band’s most popular, career-defining song was still to come. OK, watch the video and play along with the practice session until you’ve got it nailed.To put the Eagles’ mid-’70s dominance into perspective, consider this: In early 1976, the group released Their Greatest Hits 1971-1975, a compilation that would spend the next half decade in the Billboard Top 200 and go on to become the biggest-selling American album of the 20th century. It comes down to practicing those chords and that strumming pattern. It may not be the exact way it’s played but it works here. In the strumming pattern we’ll be leading with a down stroke, and omitting the upstroke to give us an accent on the chord changes. Then we have a D chord, made with a 2nd fret on the E string, 3rd fret on the B string, which is a D note, 2nd fret on the G string, which is an A note, and an open D string. The next chord is A Minor, made with a top E open, 1st fret B-string, which is the C note, 2nd fret G-string which is the A note, an E note on the 2nd fret of the D string, and the A-string is open. It doesn’t matter much if you play that bottom E string, but do your best not to strike it too hard. Next is an open C chord, made by having the top E open, a C note made by the 1st fret on the B-string, open G, 2nd fret on the D string, and the 3rd fret on the A-string. It’s the same as the G chord, except you move on the top string on the 3rd fret down to the 2nd fret. It consists of the top E 2nd fret, then an open B, open G, open D, 2nd fret A-string, and 3rd fret bottom E-string. The next chord is a G Major 7 and is slightly more difficult. It is made up of the top E-string 3rd fret which is a G note, an open B, open G, open D, 2nd fret A string, which is the B note, and finally, the 3rd fret bottom E-string which is the G. Andy shows you a simple strumming pattern using some open chords, but a slightly more challenging chord change. So you can now learn the introduction to Lyin’ Eyes by The Eagles. The Eagles Lyin Eyes Introduction Practice
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |